Peter Miller explores the conditions and possibilities of photography in his conceptual yet playful approach.
His works reflect in a pointed and humorous way the manifestations of the medium, its physical-chemical foundations as well as its imaging and meaningful functions.

Sebastian Riemer's high-resolution photographed slides of icons of art history reflect the canon of contemporary art.
In high magnification, states of decay as well as the limits of durability and reproducibility of analogue image carriers become visible in an almost painterly quality.

Philipp Goldbach's "Lossless Compression (University of Bonn, Art History)" extends his series of slide installations (Centre Pompidou, Museum Folkwang), in which entire art historical slide libraries are transformed into murals, echoing the structures of digital image media.