SETAREH is excited to present 𝘙𝘦-𝘛𝘳𝘢𝘤𝘦, a duo exhibition bringing together for the first time Iranian artist and filmmaker Nazanin Hafez and Iraqi-German artist Raisan Hameed.
𝘙𝘦-𝘛𝘳𝘢𝘤𝘦 is an encounter, an opportunity to put into dialogue two practices that, while rooted in distinct geographies and histories, share a profound and urgent engagement with the image as a political site — something produced, distributed, and controlled by power.
02.05. – 13.06.2026 Schöneberger Ufer 71 10785 Berlin
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Nazanin Hafez’s practice is rooted in her personal experience of political oppression under the Iranian regime. Hafez consistently returns to a central tension: the relationship and dynamics between the image and the power structures that produce it. A key body of work is her collage series 𝘚𝘱𝘦𝘤𝘵𝘢𝘵𝘰𝘳𝘴, for which Hafez intervenes in the websites of Iranian and international press agencies. She draws attention to the way that state violence is not only enacted but requires orchestration and execution on a systematic scale.
Raisan Hameed’s work moves between the personal and the collective, using his own biography as an entry point into larger questions about war, memory, and what images can and cannot preserve. Working with family archives, found photographs, digital tools like Google Maps, Hameed is consistently drawn to the places where images are damaged, pixelated, or incomplete. Rather than treating these as problems, he makes them the subject.
Nazanin Hafez Evil Arrived in the Village 2025
Analog photocollage 54 x 50 cm | 21 1/4 x 19 2/3 in
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Both Hafez and Hameed are making work from within ongoing realities, from the inside of experiences that havenot concluded, and both have developed practices that push back against the conditions thoserealities impose. Where Hafez turns outward, intercepting the public circulation of images of stateviolence, Hameed turns inward, excavating the private archive and the personal wound. Re-Traceis a still moment to re-think images — the power of what they show and the necessity of whatthey suppress, and what it means to refuse the terms on which they were made.
Nazanin Hafez Spectactors 01 2026
Overpainted photocollage 17.5 x 23.5 cm | 7 x 9 1/4 in