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Before the Light

Georg Baselitz, Erwin Bechtold, Peter Brüning, Adolf Luther, Heinz Mack, Otto Piene,Bernard Schultze and Emil Schumacher
SETAREH is excited to announce our participation in DC Open 2025 with a new exhibition titled, Before the Light. The exhibition features the works of Georg Baselitz, Erwin Bechtold, Peter Brüning, Adolf Luther, Heinz Mack, Otto Piene, Bernard Schultze and Emil Schumacher.
05.09. – 25.10.2025

Hohe Straße 53
40213 Düsseldorf
Press Release
Peter Brüning
Untitled
1958

Oil on canvas
97 x 130 cm | 38 1/4 x 51 1/4 in
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Peter Brüning
Untitled
1958
Oil on canvas
97 x 130 cm | 38 1/4 x 51 1/4 in
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Peter Brüning
Untitled
1957

Oil and varnish on hardboard
95 x 80 cm | 37 1/2 x 31 1/2 in
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Peter Brüning
Untitled
1957
Oil and varnish on hardboard
95 x 80 cm | 37 1/2 x 31 1/2 in
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Before the Light brings together a group of pioneering artists whose work foregrounds the nuanced dialogue between darkness and lightness. The exhibition presents works that are immersingfrom a mystery yet already emitting an internal radiance and initial unveiling of color. The works of these artists in their very own merits reflect the sustained examination of material and per-ception.
Heinz Mack
Lichtpyramide
1970

Wood, metalfoil, paint and glass, in frame on wood 16 x 20 x 6 cm | 6 1/3 x 7 3/4 x 2 1/3 in Signed, dated and titled verso “mack 70 Lichtpyramide”
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Heinz Mack
Lichtpyramide
1970
Wood, metalfoil, paint and glass, in frame on wood 16 x 20 x 6 cm | 6 1/3 x 7 3/4 x 2 1/3 in Signed, dated and titled verso “mack 70 Lichtpyramide”
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Otto Piene
Untitled (Grid)
1957/67 - 1967

Pigment, Fixative and fire on cardboard 73 x 102 cm | 28 3/4 x 40 1/4 in
Recto signed and dated "O Piene 57/67"
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Otto Piene
Untitled (Grid)
1957/67 - 1967
Pigment, Fixative and fire on cardboard 73 x 102 cm | 28 3/4 x 40 1/4 in
Recto signed and dated "O Piene 57/67"
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Emil Schumacher
Teuto
1961

Oil on canvas
81 x 65 cm | 32 x 25 2/3 in
signed and dated bottom right, titled back side
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Emil Schumacher
Teuto
1961
Oil on canvas
81 x 65 cm | 32 x 25 2/3 in
signed and dated bottom right, titled back side
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Adolf Luther’s kinetic construction, with its precise engineering and subtle movement, allows light to become a medium itself, emphasizing spatial experience. Otto Piene’s fire- and smoke-based paintings register the traces of combustion, converting processes of destruction and transformation into images that mediate between material density and sensory impact. Baselitz, Bechtold, Brüning, Mack, Schultze and Schumacher extend this conversation in a painterly register, demonstrating how post-war abstraction and the Zero movement grappled with the phenomenology of light. Rather than representing darkness as emptiness or void, these artists use darkness as a form-generating force through layering, scratching, and building up surfaces to create a sense of depth, tension, and energy.
Adolf Luther
Ohne Titel
1968

Round mirrors mounted on mirror in acrylic glass, motor
77.5 x 77.5 x 13.5 cm | 30 1/2 x 30 1/2 x 5 1/3 in
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Adolf Luther
Ohne Titel
1968
Round mirrors mounted on mirror in acrylic glass, motor
77.5 x 77.5 x 13.5 cm | 30 1/2 x 30 1/2 x 5 1/3 in
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Erwin Bechtold
Sechs plus Drei
1958

Mixed technique on canvas
54 x 65 cm | 21 1/4 x 25 2/3 in
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Erwin Bechtold
Sechs plus Drei
1958
Mixed technique on canvas
54 x 65 cm | 21 1/4 x 25 2/3 in
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Georg Baselitz
Elke im Profil
1977

Oil on canvas
100 x 120 cm | 39 1/3 x 47 1/4 in
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Georg Baselitz
Elke im Profil
1977
Linocut and oil on thin cardboard, framed 201 x 150 cm | 79 1/4 x 59 in
Signed, dated "25.11.77" and numbered "Nr 1" (bottom side right)
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In these works, black functions not as absence but as a conduit for illumination, suggesting an energy that extends beyond literal light. Before the Light invites viewers to observe how darkness can polarize light, encouraging a focused engagement with the formal and experiential dimensions of each work.
Peter Brüning
Komposition VIII, 57
1957


Oil on canvas
73 x 92 cm | 28 3/4 x 36 1/4 in
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Peter Brüning
Komposition VIII, 57
1957
Oil on canvas
73 x 92 cm | 28 3/4 x 36 1/4 in
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Bernard Schultze
Turbulenzen aus Tiermenschen
1975

Oil on canvas
105 x 120 cm | 41 1/3 x 47 1/4 in
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Bernard Schultze
Turbulenzen aus Tiermenschen
1975
Oil on canvas
119.5 x 90 cm | 47 x 35 1/2 in
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