Forces of Nature inaugurates SETAREH’s London gallery with works by London based artists Abbas Zahedi, Emmanuel Awuni and Jamiu Agboke realised in collaboration with Harlesden High Street. This partnership folds the community-oriented ethos of HHS into the heart of Mayfair, unsettling familiar hierarchies and proposing a more porous model of collaboration across scales and contexts.

The artists’ practices emerge from diasporic lineages and lived histories, traversing memory, ancestry, and critical engagement with institutional systems. Though distinct in medium and approach, they share a sensitivity to how histories are carried through material and gesture; how memory, value, and belonging are continually remade in form. Together, they articulate a language of reciprocity and resonance, allowing Forces of Nature to unfold as an encounter, a meeting of energies.

Presented as both an archive and a symbolic space of categorisation, Abbas Zahedi’s 11&9 installation includes 20 editions of biographical records (semi-rational records of artchievement, created whilst an artist of Belmacz, 2021). The work reflects on the neoliberal era and the eleven-year premiership of Margaret Thatcher alongside Zahedi’s efforts to culturally integrate into modern British society, prior to becoming an artist. The photocopied records are housed within the drawers of an old filing cabinet, each tray repurposed as a frame mounted on the gallery wall. Together, they speak to systems of uniformity and control. Allowing a degree of risk, Zahedi invites the public to participate in an act of exchange—replacing the records with objects of equal integrity and personal significance. In doing so, he transforms the rigid visual order into a living, evolving organism shaped by collective contribution and individual offerings.

Emmanuel Awuni — a poet and deeply informed by oral traditions — works across sculpture and performance, with music as a central thread. Fascinated by the connections between diasporic soundscapes such as hip-hop, jazz, reggae, and Afrobeats, he challenges institutional and cultural biases through quiet yet powerful gestures. At the front window lies a cast bust, mounted against a blue background reminiscent of the packing foam used in museum storage. Suspended on the wall, the restrained figure becomes a compelling vessel of spiritual resonance — an echo chamber for memory and vibration.