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SEBASTIAN RIEMER, MDL_(GRL)_04AC, 2018, Pigmentprint, 206 x 148 cm
SEBASTIAN RIEMER
MDL_(GRL)_04AC, 2018
Pigmentprint, 206 x 148 cm
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SEBASTIAN RIEMER, FLAVIN D. PINK OUT OF CORNER FLUOR LT IN METAL FIXTURE 1963 GIFT P JOHNSON MOMA SANDAK 3 337 0196/83 HOLY CROSS 000272, 2019, Pigment print, 200 x 200 cm
SEBASTIAN RIEMER
FLAVIN D. PINK OUT OF CORNER FLUOR LT IN METAL FIXTURE 1963 GIFT P JOHNSON MOMA SANDAK 3 337 0196/83 HOLY CROSS 000272
2019
Pigment print, 200 x 200 cm
Edition 2/3 + 2AP
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SEBASTIAN RIEMER
b. 1982, based in Düsseldorf, DE

Sebastian Riemer questions the photographic medium's claim to objectivity, durability and the documentary. The artist often works with found photographs, which he enlarges in high resolution and thereby transfers into new viewing contexts.
In this way, he focuses, for example, on painterly qualities, the effect of materiality and states of decay of the photographic material, which he calls "photographic ruins". His artistic approach enables image scientific, media reflexive as well as aesthetic examinations of the visual medium.
SEBASTIAN RIEMER, DUPLICAT Marcel Duchamp "Bicycle Wheel" Readymade 1951, 2019, C-Print, 180 x 180 cm
SEBASTIAN RIEMER
DUPLICAT Marcel Duchamp "Bicycle Wheel" Readymade 1951
2019
C-Print, 180 x 180 cm
Edition 2/3 + 2AP
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SEBASTIAN RIEMER, INSTALLATION VIEW, 2021, Das Ende des XX Jahrhunderts, SETAREH Berlin
SEBASTIAN RIEMER
INSTALLATION VIEW, 2021
Das Ende des XX Jahrhunderts
SETAREH Berlin
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Past exhibitions
elective affinities
SETAREH is pleased to present the group exhibition elective affinities with works by Kate Andrews, Wolfgang Betke, Bea Bonafini, Gregor Gleiwitz, Philipp Goldbach, Bettina Marx, Christian Megert, Sebastian Riemer, Laura Sachs, Elsa Sahal and Miron Schmückle.
SETAREH
Sebastian Riemer
Das Ende des XX Jahrhunderts
SETAREH
Sebastian Riemer
25y and one blue x
SETAREH
CLASH!
Düsseldorf Photo Weekend 2015 – 30.01.—14.02.15
SETAREH
Sebastian Riemer
Noise
SETAREH
Sebastian Riemer GRLS BBYLON
SETAREH
25.02.21 Kunstforum – International
SEBASTIAN RIEMER & PHILIPP GOLDBACH

Image Capital von Sabine Maria SchmidtFotografische Bildarchive in der KunstEin kommentierter Bilderessay

22.05.21 RECKLINGHÄUSER ZEITUNG
XXL-AUFTRITT FÜR ALTE DIAS

Mit seiner auf XXL-Format gezoomten Dia-Serie "Das Ende des XX. Jahrhunderts" macht Sebastian Riemer technisch-historischen Müll zu einem visuellen Erlebnis.

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Kate Andrews, Transit, 2021, Oil on canvas, 100 x 80 cm
KATE ANDREWS
HOVERBEAM, 2021
Oil on canvas
110 x 90 cm
Kate Andrews, Arena, 2021, Oil on canvas, 50 x 80 cm
KATE ANDREWS
HOVERBEAM, 2021
Oil on canvas
110 x 90 cm