BETTINA MARX

BETTINA MARX

BETTINA MARX

BETTINA MARX

BETTINA MARX

Studio Views

Studio Views

Studio Views

Studio Views

Studio Views

Explore more about the artist, her working place
and her new series of works
 

Explore more about the artists, her working place
and her new series of works
 

Explore more about the artists,
her working place and her new series of works
 

Explore more about the artists,
her working place and her new series of works
 

Explore more about the artists,
her working place and her new series of works

SUPERNATURAL

SUPERNATURAL

SUPERNATURAL

SUPERNATURAL

SUPERNATURAL

SETAREH is pleased to present Studio Views, a new online series displaying recent works of artists represented by the gallery. This Viewing Room highlights the latest works by Bettina Marx.

Bettina Marx's work, often capturing real places, expands across paintings, ink drawings as well as wood pieces that the artist found and then painted. Using different influences like set pieces, she transfers silhouettes, surfaces and textures into works reminiscent of natural structures. The starting point for the works shown in the ORV are light effects on walls that have been recorded as drawings and transformed into paintings.

SETAREH is pleased to present Studio Views, a new online series displaying recent works of artists represented by the gallery. This Viewing Room highlights the latest works by Bettina Marx.

Bettina Marx's work, often capturing real places, expands across paintings, ink drawings as well as wood pieces that the artist found and then painted. Using different influences like set pieces, she transfers silhouettes, surfaces and textures into works reminiscent of natural structures. The starting point for the works shown in the ORV are light effects on walls that have been recorded as drawings and transformed into paintings.

SETAREH is pleased to present Studio Views, a new online series displaying recent works of artists represented by the gallery. This Viewing Room highlights the latest works by Bettina Marx.

Bettina Marx's work, often capturing real places, expands across paintings, ink drawings as well as wood pieces that the artist found and then painted. Using different influences like set pieces, she transfers silhouettes, surfaces and textures into works reminiscent of natural structures. The starting point for the works shown in the ORV are light effects on walls that have been recorded as drawings and transformed into paintings.

SETAREH is pleased to present Studio Views, a new online series displaying recent works of artists represented by the gallery. This Viewing Room highlights the latest works by Bettina Marx.

Bettina Marx's work, often capturing real places, expands across paintings, ink drawings as well as wood pieces that the artist found and then painted. Using different influences like set pieces, she transfers silhouettes, surfaces and textures into works reminiscent of natural structures. The starting point for the works shown in the ORV are light effects on walls that have been recorded as drawings and transformed into paintings.

SETAREH is pleased to present Studio Views, a new online series displaying recent works of artists represented by the gallery. This Viewing Room highlights the latest works by Bettina Marx.

Bettina Marx's work, often capturing real places, expands across paintings, ink drawings as well as wood pieces that the artist found and then painted. Using different influences like set pieces, she transfers silhouettes, surfaces and textures into works reminiscent of natural structures. The starting point for the works shown in the ORV are light effects on walls that have been recorded as drawings and transformed into paintings.

 
Moh
2021
Ink and acrylic on purenite box
102 x 90 cm

 
Moh
2021 
Ink and acrylic on purenite box
102 x 90 cm

7.500 EUR 

 
Moh
2021 
Ink and acrylic on purenite box
102 x 90 cm

7.500 EUR 

 
Moh
2021 
Ink and acrylic on purenite box
102 x 90 cm

7.500 EUR 

 
Moh
2021 
Ink and acrylic on purenite box
102 x 90 cm

7.500 EUR 

Marx paints these syntheses and recontextualizations of optical impressions and memories on MDF boxes. The colour intensity and especially the almost plastic materiality of her paintings make them sensually perceptible works of art.

Marx paints these syntheses and recontextualizations of optical impressions and memories on MDF boxes. The colour intensity and especially the almost plastic materiality of her paintings make them sensually perceptible works of art.

Marx paints these syntheses and recontextualizations of optical impressions and memories on MDF boxes. The colour intensity and especially the almost plastic materiality of her paintings make them sensually perceptible works of art.

Marx paints these syntheses and recontextualizations of optical impressions and memories on MDF boxes. The colour intensity and especially the almost plastic materiality of her paintings make them sensually perceptible works of art. 

Marx paints these syntheses and recontextualizations of optical impressions and memories on MDF boxes. The colour intensity and especially the almost plastic materiality of her paintings make them sensually perceptible works of art.

With fragments and details of experienced situations Marx creates a new imagery of a very personal sensibility, full of structural sensitive harmony and highly differentiated colorfulness. 

With fragments and details of experienced situations Marx creates a new imagery of a very personal sensibility, full of structural sensitive harmony and highly differentiated colorfulness.

With fragments and details of experienced situations Marx creates a new imagery of a very personal sensibility, full of structural sensitive harmony and highly differentiated colorfulness.

With fragments and details of experienced situations Marx creates a new imagery of a very personal sensibility, full of structural sensitive harmony and highly differentiated colorfulness.

With fragments and details of experienced situations Marx creates a new imagery of a very personal sensibility, full of structural sensitive harmony and highly differentiated colorfulness. 

Fam
2020
Ink and acrylic on wooden box
180 x 160 cm

Fam
2020
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

 
Fam
2020 
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

Fam
2020
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

Fam
2020
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

The artist uses different procedures, techniques and materials, like Indian ink and acrylic paint which allows her work to achieve a very unique pictorial autonomy. 

The artist uses different procedures, techniques and materials, like Indian ink and acrylic paint which allows her work to achieve a very unique pictorial autonomy.

The artist uses different procedures, techniques and materials, like Indian ink and acrylic paint which allows her work to achieve a very unique pictorial autonomy. 

The artist uses different procedures, techniques and materials, like Indian ink and acrylic paint which allows her work to achieve a very unique pictorial autonomy. 

The artist uses different procedures, techniques and materials, like Indian ink and acrylic paint which allows her work to achieve a very unique pictorial autonomy. 

Her painting 'Orag' refers to the exterior world but reconstructs its perception. Bettina Marx’s idiosyncratric signature transposes the landscapes she has seen or the emotions she has experienced into unique compositions.

Her painting 'Orag' refers to the exterior world but reconstructs its perception. Bettina Marx’s idiosyncratric signature transposes the landscapes she has seen or the emotions she has experienced into unique compositions.

Her painting 'Orag' refers to the exterior world but reconstructs its perception. Bettina Marx’s idiosyncratric signature transposes the landscapes she has seen or the emotions she has experienced into unique compositions.

Her painting 'Orag' refers to the exterior world but reconstructs its perception. Bettina Marx’s idiosyncratric signature transposes the landscapes she has seen or the emotions she has experienced into unique compositions.

Her painting 'Orag' refers to the exterior world but reconstructs its perception. Bettina Marx’s idiosyncratric signature transposes the landscapes she has seen or the emotions she has experienced into unique compositions.

Orag
2021
Ink and acrylic on wooden box
180 x 160 cm

Orag
2021
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

Orag
2021
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

Orag
2021
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

Orag
2021
Ink and acrylic on wooden box
180 x 160 cm

12.800 EUR

Colours and forms of nature are delicately preserved. This resemblance is so subtle that makes the viewer’s eye wander through all its details, textures and chromatic changes. Again and again, Marx’s works encourage the observer to experience the different levels of transcription that she connects to natural elements.

Colours and forms of nature are delicately preserved. This resemblance is so subtle that makes the viewer’s eye wander through all its details, textures and chromatic changes. Again and again, Marx’s works encourage the observer to experience the different levels of transcription that she connects to natural elements.

Colours and forms of nature are delicately preserved. This resemblance is so subtle that makes the viewer’s eye wander through all its details, textures and chromatic changes. Again and again, Marx’s works encourage the observer to experience the different levels of transcription that she connects to natural elements.

Colours and forms of nature are delicately preserved. This resemblance is so subtle that makes the viewer’s eye wander through all its details, textures and chromatic changes. Again and again, Marx’s works encourage the observer to experience the different levels of transcription that she connects to natural elements.

Colours and forms of nature are delicately preserved. This resemblance is so subtle that makes the viewer’s eye wander through all its details, textures and chromatic changes. Again and again, Marx’s works encourage the observer to experience the different levels of transcription that she connects to natural elements.

Bettina Marx studied at the Kunstakademie Münster where she graduated as a “Meisterschülerin” of Cornelius Völker. She has been awarded several prizes and scholarships and had numerous solo and group exhibitions. This year she will be exhibited at Kunst-Station Sankt Peter, Cologne in the exhibition 'siblings' curated by Anne Mager.

Bettina Marx studied at the Kunstakademie Münster where she graduated as a “Meisterschülerin” of Cornelius Völker. She has been awarded several prizes and scholarships and had numerous solo and group exhibitions. This year she will be exhibited at Kunst-Station Sankt Peter, Cologne in the exhibition 'siblings' curated by Anne Mager.

Bettina Marx studied at the Kunstakademie Münster where she graduated as a “Meisterschülerin” of Cornelius Völker. She has been awarded several prizes and scholarships and had numerous solo and group exhibitions. This year she will be exhibited at Kunst-Station Sankt Peter, Cologne in the exhibition 'siblings' curated by Anne Mager.

Bettina Marx studied at the Kunstakademie Münster where she graduated as a “Meisterschülerin” of Cornelius Völker. She has been awarded several prizes and scholarships and had numerous solo and group exhibitions. This year she will be exhibited at Kunst-Station Sankt Peter, Cologne in the exhibition 'siblings' curated by Anne Mager.

Bettina Marx studied at the Kunstakademie Münster where she graduated as a “Meisterschülerin” of Cornelius Völker. She has been awarded several prizes and scholarships and had numerous solo and group exhibitions. This year she will be exhibited at Kunst-Station Sankt Peter, Cologne in the exhibition 'siblings' curated by Anne Mager.

STUDIO SHOTS

STUDIO SHOTS

STUDIO SHOTS

STUDIO SHOTS

STUDIO SHOTS

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