26.02.22–26.03.22

26.02.22–26.03.22

26.02.22–26.03.22

26.02.22–26.03.22

26.02.22–26.03.22

Viewing Room

Viewing Room

Viewing Room

Viewing Room

Viewing Room

Astrid Styma
private

Astrid Styma
private

Astrid Styma
private

Astrid Styma
private

Astrid Styma
private

SETAREH X is pleased to present private, the second solo exhibition by Astrid Styma. The characteristic signature style of Astrid Styma‘s painting, a representation of bodies that is in part digitally reminiscent, has defined her oeuvre since 2012 and has inspired in many aspects since then.

The works of the artist from Düsseldorf, painted on canvas and wood, depict close-ups of bodies whose gestures and palette convey mental states and moods. The depiction of mostly naked female bodies - whereby the artist mostly draws on her own body - repeatedly assume a posture facing away from the viewer.

SETAREH X is pleased to present private, the second solo exhibition by Astrid Styma. The characteristic signature style of Astrid Styma‘s painting, a representation of bodies that is in part digitally reminiscent, has defined her oeuvre since 2012 and has inspired in many aspects since then.

The works of the artist from Düsseldorf, painted on canvas and wood, depict close-ups of bodies whose gestures and palette convey mental states and moods. The depiction of mostly naked female bodies - whereby the artist mostly draws on her own body - repeatedly assume a posture facing away from the viewer.

SETAREH X is pleased to present private, the second solo exhibition by Astrid Styma. The characteristic signature style of Astrid Styma‘s painting, a representation of bodies that is in part digitally reminiscent, has defined her oeuvre since 2012 and has inspired in many aspects since then.

The works of the artist from Düsseldorf, painted on canvas and wood, depict close-ups of bodies whose gestures and palette convey mental states and moods. The depiction of mostly naked female bodies - whereby the artist mostly draws on her own body - repeatedly assume a posture facing away from the viewer.

SETAREH X is pleased to present private, the second solo exhibition by Astrid Styma. The characteristic signature style of Astrid Styma‘s painting, a representation of bodies that is in part digitally reminiscent, has defined her oeuvre since 2012 and has inspired in many aspects since then.

The works of the artist from Düsseldorf, painted on canvas and wood, depict close-ups of bodies whose gestures and palette convey mental states and moods. The depiction of mostly naked female bodies - whereby the artist mostly draws on her own body - repeatedly assume a posture facing away from the viewer.

SETAREH X is pleased to present private, the second solo exhibition by Astrid Styma. The characteristic signature style of Astrid Styma‘s painting, a representation of bodies that is in part digitally reminiscent, has defined her oeuvre since 2012 and has inspired in many aspects since then.

The works of the artist from Düsseldorf, painted on canvas and wood, depict close-ups of bodies whose gestures and palette convey mental states and moods. The depiction of mostly naked female bodies - whereby the artist mostly draws on her own body - repeatedly assume a posture facing away from the viewer.

Astrid Styma
Pulse, 2021
oil on canvas, 90 x 65 cm

SOLD

Astrid Styma
Pulse, 2021
oil on canvas, 90 x 65 cm

SOLD

Astrid Styma
Pulse, 2021
oil on canvas, 90 x 65 cm

SOLD

Astrid Styma
Pulse, 2021
oil on canvas, 90 x 65 cm

SOLD

Astrid Styma
Pulse, 2021
oil on canvas, 90 x 65 cm

SOLD

Astrid Styma
Shame, 2021
oil on canvas, 190 x 160 cm

13.550 EUR

Astrid Styma
Shame, 2021
oil on canvas, 190 x 160 cm

13.550 EUR

Astrid Styma
Shame, 2021
oil on canvas, 190 x 160 cm

13.550 EUR

Astrid Styma
Shame, 2021
oil on canvas, 190 x 160 cm

13.550 EUR

Astrid Styma
Shame, 2021
oil on canvas, 190 x 160 cm

13.550 EUR

Facial features are not depicted or are only indicated, instead, the sensory organs are presented in a unique manner at this exhibition. When it comes to interpersonal encounters, it is primarily our senses that are in the focus. Depending on the situation and its atmosphere, people react very differently and employ certain senses to a greater or lesser extent.

Facial features are not depicted or are only indicated, instead, the sensory organs are presented in a unique manner at this exhibition. When it comes to interpersonal encounters, it is primarily our senses that are in the focus. Depending on the situation and its atmosphere, people react very differently and employ certain senses to a greater or lesser extent.

Facial features are not depicted or are only indicated, instead, the sensory organs are presented in a unique manner at this exhibition. When it comes to interpersonal encounters, it is primarily our senses that are in the focus. Depending on the situation and its atmosphere, people react very differently and employ certain senses to a greater or lesser extent.

Facial features are not depicted or are only indicated, instead, the sensory organs are presented in a unique manner at this exhibition. When it comes to interpersonal encounters, it is primarily our senses that are in the focus. Depending on the situation and its atmosphere, people react very differently and employ certain senses to a greater or lesser extent.

Facial features are not depicted or are only indicated, instead, the sensory organs are presented in a unique manner at this exhibition. When it comes to interpersonal encounters, it is primarily our senses that are in the focus. Depending on the situation and its atmosphere, people react very differently and employ certain senses to a greater or lesser extent.

The painterly, highly skilled elaboration of these bodies in front of digital-looking, pastel-coloured gradients alternates in flowing transitions between sculptural three-dimensionality and silhouette-like shapes. Some of the bodies appear massive and heavy, others fragile and vulnerable. The painterly focus on the texture and details of the depicted bodies bring them almost „tangibly close“ to the viewer and thus facilitates a sensual access to the depicted figures.

The painterly, highly skilled elaboration of these bodies in front of digital-looking, pastel-coloured gradients alternates in flowing transitions between sculptural three-dimensionality and silhouette-like shapes. Some of the bodies appear massive and heavy, others fragile and vulnerable. The painterly focus on the texture and details of the depicted bodies bring them almost „tangibly close“ to the viewer and thus facilitates a sensual access to the depicted figures.

The painterly, highly skilled elaboration of these bodies in front of digital-looking, pastel-coloured gradients alternates in flowing transitions between sculptural three-dimensionality and silhouette-like shapes. Some of the bodies appear massive and heavy, others fragile and vulnerable. The painterly focus on the texture and details of the depicted bodies bring them almost „tangibly close“ to the viewer and thus facilitates a sensual access to the depicted figures.

The painterly, highly skilled elaboration of these bodies in front of digital-looking, pastel-coloured gradients alternates in flowing transitions between sculptural three-dimensionality and silhouette-like shapes. Some of the bodies appear massive and heavy, others fragile and vulnerable. The painterly focus on the texture and details of the depicted bodies bring them almost „tangibly close“ to the viewer and thus facilitates a sensual access to the depicted figures.

The painterly, highly skilled elaboration of these bodies in front of digital-looking, pastel-coloured gradients alternates in flowing transitions between sculptural three-dimensionality and silhouette-like shapes. Some of the bodies appear massive and heavy, others fragile and vulnerable. The painterly focus on the texture and details of the depicted bodies bring them almost „tangibly close“ to the viewer and thus facilitates a sensual access to the depicted figures.

Astrid Styma
Stand your ground, 2021
oil on canvas, 85 x 55 cm

5.300 EUR

Astrid Styma
Stand your ground, 2021
oil on canvas, 85 x 55 cm

5.300 EUR

Astrid Styma
Stand your ground, 2021
oil on canvas, 85 x 55 cm

5.300 EUR

Astrid Styma
Stand your ground, 2021
oil on canvas, 85 x 55 cm

5.300 EUR

Astrid Styma
Stand your ground, 2021
oil on canvas, 85 x 55 cm

5.300 EUR

Astrid Styma
Struggle, 2021
oil on canvas, 90 x 63 cm

SOLD

Astrid Styma
Struggle, 2021
oil on canvas, 90 x 63 cm

SOLD

Astrid Styma
Struggle, 2021
oil on canvas, 90 x 63 cm

SOLD

Astrid Styma
Struggle, 2021
oil on canvas, 90 x 63 cm

SOLD

Astrid Styma
Struggle, 2021
oil on canvas, 90 x 63 cm

SOLD

Astrid Styma
Private, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Private, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Private, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Private, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Private, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Consultation, 2021
oil on wooden board, 48 x 35 cm

SOLD

Astrid Styma
Consultation, 2021
oil on wooden board, 48 x 35 cm

SOLD

Astrid Styma
Consultation, 2021
oil on wooden board, 48 x 35 cm

SOLD

Astrid Styma
Consultation, 2021
oil on wooden board, 48 x 35 cm

SOLD

Astrid Styma
Consultation, 2021
oil on wooden board, 48 x 35 cm

SOLD

Astrid Styma
Subtext, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Subtext, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Subtext, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Subtext, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Subtext, 2021
oil on wooden board, 40 x 30 cm

SOLD

Astrid Styma
Antenna II, 2021
oil on wood, 29.7 x 21.5 cm

2.950 EUR

Astrid Styma
Antenna II, 2021
oil on wood, 29.7 x 21.5 cm

2.950 EUR

Astrid Styma
Antenna II, 2021
oil on wood, 29.7 x 21.5 cm

2.950 EUR

Astrid Styma
Antenna II, 2021
oil on wood, 29.7 x 21.5 cm

2.950 EUR

Astrid Styma
Antenna II, 2021
oil on wood, 29.7 x 21.5 cm

2.950 EUR

Astrid Styma
Antenna I, 2021
oil on wood, 22 x 29 cm

SOLD

Astrid Styma
Antenna I, 2021
oil on wood, 22 x 29 cm

SOLD

Astrid Styma
Antenna I, 2021
oil on wood, 22 x 29 cm

SOLD

Astrid Styma
Antenna I, 2021
oil on wood, 22 x 29 cm

SOLD

Astrid Styma
Antenna I, 2021
oil on wood, 22 x 29 cm

SOLD

Astrid Styma
Underbelly, 2021
oil on canvas, 31 x 22 cm

SOLD

Astrid Styma
Underbelly, 2021
oil on canvas, 31 x 22 cm

SOLD

Astrid Styma
Underbelly, 2021
oil on canvas, 31 x 22 cm

SOLD

Astrid Styma
Underbelly, 2021
oil on canvas, 31 x 22 cm

SOLD

Astrid Styma
Underbelly, 2021
oil on canvas, 31 x 22 cm

SOLD

Astrid Styma
Close, 2022
oil gilding on wood, 80 x 80 cm

8.700 EUR

Astrid Styma
Close, 2022
oil gilding on wood, 80 x 80 cm

8.700 EUR

Astrid Styma
Close, 2022
oil gilding on wood, 80 x 80 cm

8.700 EUR

Astrid Styma
Close, 2022
oil gilding on wood, 80 x 80 cm

8.700 EUR

Astrid Styma
Close, 2022
oil gilding on wood, 80 x 80 cm

8.700 EUR

Astrid Styma
Spotlight Caress, 2021
oil on wood, 45 x 40 cm

SOLD

Astrid Styma
The Smell of Touch, 2021
oil on wood, 45 x 32 cm

SOLD

Astrid Styma
The Smell of Touch, 2021
oil on wood, 45 x 32 cm

SOLD

Astrid Styma
The Smell of Touch, 2021
oil on wood, 45 x 32 cm

SOLD

Astrid Styma
The Smell of Touch, 2021
oil on wood, 45 x 32 cm

SOLD

Astrid Styma
Moon River, 2022
oil on canvas, 120 x 90 cm

SOLD

Astrid Styma
Moon River, 2022
oil on canvas, 120 x 90 cm

SOLD

Astrid Styma
Moon River, 2022
oil on canvas, 120 x 90 cm

SOLD

Astrid Styma
Moon River, 2022
oil on canvas, 120 x 90 cm

SOLD

Astrid Styma
Moon River, 2022
oil on canvas, 120 x 90 cm

SOLD

Astrid Styma (b. 1988) creates highly realistic still lives, portraits and sculptural interventions that span references between painting techniques of renaissance Neo-Realism, Surrealism and Post-Digital works of the 21st Century. Figures which are often isolated from any detailed references are arranged in front of gently illuminated backgrounds that remind of contemporary and digital surfaces in pastel-shaded tones. Through the repeated depiction of the same motifs, the works read as metaphors for complex interpersonal constellations. And with subtle references to architectural impossibilities, Styma invites us into trustworthy worlds of images that reveal paradoxes and open up possible trapdoors of perception.

Astrid Styma (b. 1988) creates highly realistic still lives, portraits and sculptural interventions that span references between painting techniques of renaissance Neo-Realism, Surrealism and Post-Digital works of the 21st Century. Figures which are often isolated from any detailed references are arranged in front of gently illuminated backgrounds that remind of contemporary and digital surfaces in pastel-shaded tones. Through the repeated depiction of the same motifs, the works read as metaphors for complex interpersonal constellations. And with subtle references to architectural impossibilities, Styma invites us into trustworthy worlds of images that reveal paradoxes and open up possible trapdoors of perception.

Astrid Styma (b. 1988) creates highly realistic still lives, portraits and sculptural interventions that span references between painting techniques of renaissance Neo-Realism, Surrealism and Post-Digital works of the 21st Century. Figures which are often isolated from any detailed references are arranged in front of gently illuminated backgrounds that remind of contemporary and digital surfaces in pastel-shaded tones. Through the repeated depiction of the same motifs, the works read as metaphors for complex interpersonal constellations. And with subtle references to architectural impossibilities, Styma invites us into trustworthy worlds of images that reveal paradoxes and open up possible trapdoors of perception.

Astrid Styma (b. 1988) creates highly realistic still lives, portraits and sculptural interventions that span references between painting techniques of renaissance Neo-Realism, Surrealism and Post-Digital works of the 21st Century. Figures which are often isolated from any detailed references are arranged in front of gently illuminated backgrounds that remind of contemporary and digital surfaces in pastel-shaded tones. Through the repeated depiction of the same motifs, the works read as metaphors for complex interpersonal constellations. And with subtle references to architectural impossibilities, Styma invites us into trustworthy worlds of images that reveal paradoxes and open up possible trapdoors of perception.

Astrid Styma (b. 1988) creates highly realistic still lives, portraits and sculptural interventions that span references between painting techniques of renaissance Neo-Realism, Surrealism and Post-Digital works of the 21st Century. Figures which are often isolated from any detailed references are arranged in front of gently illuminated backgrounds that remind of contemporary and digital surfaces in pastel-shaded tones. Through the repeated depiction of the same motifs, the works read as metaphors for complex interpersonal constellations. And with subtle references to architectural impossibilities, Styma invites us into trustworthy worlds of images that reveal paradoxes and open up possible trapdoors of perception.

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Contact us for more information

Contact us for more information

Contact us for more information

Contact us for more information

©2022 SETAREH

©2022 SETAREH

©2022 SETAREH

©2022 SETAREH

©2022 SETAREH

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