b. 1966 in Sibiu, ROU; lives and works in Berlin, DE
Miron Schmückle’s delicate paintings and their Latin titles, trick the viewer to fall for the pre-conceived idea that they are something they are not. Hidden behind apparent botanical illustrations, the beauty of nature presents itself in the paintings in its most pure state, only to let the viewer discover through observation, that the plant-like elements depicted are fruit of the artist’s imagination. Schmückle exaggerates the beauty of nature, creating artificial life with flowers that don’t belong to the Earth. The colours merge delicately within the shapes that enclose them. Applied on the surface, the Indian ink reproduces the vivid shades found in jungles and forests.
SETAREH is pleased to present the group exhibition elective affinities with works by Kate Andrews, Wolfgang Betke, Bea Bonafini, Gregor Gleiwitz, Philipp Goldbach, Bettina Marx, Christian Megert, Sebastian Riemer, Laura Sachs, Elsa Sahal and Miron Schmückle.
,,Das Aquarell verzeiht nichts", sagt Miron Schmückle vor einem seiner Bilder; das größte unter ihnen misst gut zwei mal 1,5 Meter: Was für ein Format für ein Aquarell von so unglablicher Freiheit!
29.03.22 WELTKUNST
SAG ES DURCH DIE BLUME
Durch das Berliner Atelier von Miron Schmückle weht der Geistder frühen Neuzeit. Der Schriftsteller Mathias Gratz hat den Maler besucht undsprach mit ihm über die Schönheit und das Gcheimnis der Pflanzen.
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KATE ANDREWS HOVERBEAM, 2021 Oil on canvas 110 x 90 cm
KATE ANDREWS HOVERBEAM, 2021 Oil on canvas 110 x 90 cm
